In this continuing series on regenerative urbanism, we dig deeper into the materials that form not just the substance of buildings, but the language of place. Previous entries introduced bamboo and laterite as more than alternatives to high-carbon construction—they are catalysts for a locally grounded architecture that speaks to climate, culture, and continuity. Today, we move from the theoretical to the tactile: from principles to practice.
Across West and North West Africa, cities expand at a staggering pace. But as growth accelerates, so too does the risk of forgetting where we build—and with what. Imported templates, whether in glass curtain walls or cement block grids, often deny both the intelligence of the land and the ingenuity of its people. To move forward, we must look down—not as a gesture of deference, but of recognition. The answers lie beneath our feet and around our homes.
Material Literacy: A Return to Intelligence
The globalised construction industry trades in convenience and uniformity. It delivers speed, but rarely comfort. It produces scale, but seldom belonging. Materials arrive alienated—shipped, shaped, and stripped of memory. By contrast, bamboo and laterite bring memory into the architecture. They belong, both in the ecological sense and in the civic one.
Bamboo renews itself rapidly—not in decades, but in seasons. With careful cultivation and thermal treatment, it offers a reliable structural rhythm: resilient, tensile, and light. It does not demand extraction; it rewards cultivation. As a building element, it threads ecological responsibility directly into the construction process. It doesn’t just support roofs—it supports futures.
Laterite anchors that future. Quarried from the ground it ultimately shelters, laterite provides density, breathability, and a thermal inertia that matches the rhythms of the sun. Once compressed and stabilised—often with lime, sometimes with earth-cement hybrids—it becomes not just wall but climate buffer, storing the day’s heat and releasing it at night. In form and function, laterite connects geology with domestic life.
Together, these materials don’t offer compromise—they offer coherence. Their assembly invites a method of building that thinks across time and respects local ecologies. They arrive as processes, relationships, and opportunities for skilled labour to re-enter the architectural imagination—not as nostalgia, but in active collaboration with mechanised production. Stabilised earth blocks, pre-treated bamboo members, cast-lime lintels and modular formwork show that standardisation and craftsmanship are not adversaries. They form a dialogue, where technology supports tradition and scale enhances skill.

Source: https://www.kerearchitecture.com/work/building/lycee-schorge
Not a Fetish, But a Future
This approach does not fetishise tradition. Nor does it reduce local craft to rustic charm for international acclaim. Instead, it treats traditional knowledge as infrastructural intelligence—coded into walls, courtyards, and roofs; tested not in labs, but in lifetimes.
Too often, design narratives pit modernity against heritage, as though innovation and inheritance must quarrel. They don’t. Courtyard compounds, impluviums, shaded passageways—all these spatial types perform environmental tasks and organise communal life. Our task is to refine and reinterpret them, not discard them in the name of progress.
Beyond the Bamboo-Laterite Core
Though bamboo and laterite headline this conversation, they stand amid a rich ensemble. Raffia palm supplies fibres with structural ambition and tactile warmth. Volcanic ash and agricultural by-products—such as groundnut husk ash—offer low-carbon stabilisers for binders. Lime, long ignored under cement’s shadow, returns with its breathability, reparability, and compatibility with earthen substrates.
This is a material palette not of scarcity, but of restraint. It draws on what is near, what is known, and what is sufficient. These materials demand care and understanding. They don’t arrive pre-packaged. They arrive as supply chains to be rebuilt, methods to be calibrated, and labour to be respected. But critically, they can—and must—scale. Mechanised pressing, modular production lines, and digital fabrication techniques allow for replication without erasure of context.
Design and the Culture of Comfort
Material intelligence alone cannot solve spatial failures. Buildings must feel as good as they perform. And here, the lessons of placemaking—drawn from Copenhagen’s streets, Kano’s courtyards, and Marrakech’s alleys—converge.
Comfort is not a luxury. It is the baseline of civilised space. Shade, cross-ventilation, scale, enclosure, permeability—these are the real currencies of urban wellness. When applied deliberately, they produce cities that serve their inhabitants, not just their investors. Jan Gehl’s principle that “life between buildings” matters more than the buildings themselves finds fertile ground in the African context, where street life remains a central civic stage.
The Policy Ground Beneath Our Feet
Practice cannot flourish without policy. Many building codes today still legislate against innovation by codifying imported norms. Bamboo remains ‘unapproved’ in many jurisdictions. Earthen construction faces stigma from both regulators and financiers. This gap between policy and reality hampers the transition from pilot to precedent.
Governments, municipalities, and the construction industry must catch up to what communities already know. Pilot projects—particularly in the public realm: schools, clinics, community centres—can demonstrate performance, reduce prejudice, and formalise the value of local materials. Certification pathways, performance testing, and procurement reform must follow.
And industry—private and public—must invest in hybrid construction systems that merge the mechanical and the manual. This is not about artisanal exceptionalism, but building ecosystems of competence and accountability that allow both block makers and robotic presses to participate in shaping better cities.
Conclusion: A Grounded Ambition
This work proceeds quietly but firmly. It does not chase spectacle. It assembles dignity, one wall, one beam, one roof at a time. From laterite hills and bamboo groves, a new architecture rises—not drawn from catalogues, but coaxed from climate, culture, and care.
We have no need to invent authenticity. We only need to stop paving over it. What lies ahead is not a stylistic turn or a fashionable interlude—it is the shape of architecture to come. One that roots itself, breathes with the land, and builds not monuments, but belonging.
In this series, we continue walking that path—not with grand declarations, but with calloused hands, calibrated tools, and open eyes.
The next city is already here. We just need to recognise the materials it’s asking for.
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